Nano Banana Pro

The keeper

A frame from a feature-quality 3D animated film: stylized characters with soft sculpted shapes and rich textures. The round lamp room at the top of a Scottish lighthouse during a night storm: rain streaming down curved windows, lightning over a black sea, a giant brass-and-glass Fresnel lens glowing gold in the centre. A tiny 80-year-old lighthouse keeper with wild white hair, enormous round spectacles, a hand-knitted mustard jumper with patched elbows and green wellies stands on a wooden stool polishing the huge lens with a rag, tongue poking out in concentration. Palette: lamp gold, storm indigo, mustard. Warm cinematic lighting, subsurface skin, knitted wool detail. No readable text, no logos.

Northbound, shot 2

Medium shot, 50mm anamorphic, blue hour, outside a white ger: the old man from the reference image, in the same sky-blue deel, orange sash and fox-fur hat, steps out of the ger door, breath steaming in the cold, and raises old binoculars toward the sky, warm stove light glowing behind him. No readable text, no logos. Shot on 35mm anamorphic, ice fog, fine grain. Palette: ice white, felt brown, deel red and one electric violet. Cold overcast or blue-hour light.

Northbound, shot 5

Extreme close-up, 85mm anamorphic: the face of the girl from the reference image, the same scar through her eyebrow and fur hat, lit from below by pulsing electric violet light, frost on her eyelashes, breath steaming, eyes wide with a violet glow reflected in them; dark background. No readable text, no logos. Shot on 35mm anamorphic, ice fog, fine grain. Palette: ice white, felt brown, deel red and one electric violet. Cold overcast or blue-hour light.

MIRRA, shot 1

Macro product photograph: the amber perfume bottle from the reference image, the same faceted amber glass and brushed-brass cap, on a hot-pink lacquered plinth against a cobalt backdrop, a single drop of perfume running down one facet, hard light throwing amber caustics across the plinth. No readable text, no logos. Fragrance commercial look: colour-blocked studio sets in hot pink, cobalt and saffron, hard strobe with crisp shadows, macro precision, fine grain.

MIRRA, shot 3

Macro shot: the amber perfume bottle from the reference image standing on a cobalt glass surface, plumes of amber and hot-pink ink-like smoke blooming around it, strong backlight. No readable text, no logos. Fragrance commercial look: colour-blocked studio sets in hot pink, cobalt and saffron, hard strobe with crisp shadows, macro precision, fine grain.

5 da manhã, shot 2

Low close-up at ground level, 24mm: the white sneakers and wide black trousers of the dancer from the reference image doing fast footwork on wet black-and-white Portuguese mosaic cobbles, the hem of the red windbreaker just in frame, a puddle reflecting the streetlight. No readable text, no logos. Shot on 35mm, handheld feel, grain. Palette: tram yellow, track-jacket red, azulejo blue, dawn pink. Lisbon at the end of the night.

5 da manhã, shot 4

Low-angle wide shot, 24mm, dawn: the dancer from the reference image, same clothes, on the terrace of a Lisbon miradouro, terracotta rooftops and the Tagus river behind in pink haze, the red suspension bridge faint in the distance; he holds a frozen pose with one knee raised and arms out. No readable text, no logos. Shot on 35mm, handheld feel, grain. Palette: tram yellow, track-jacket red, azulejo blue, dawn pink. Lisbon at the end of the night.

Stride magazine cover

Cover of an invented running magazine called STRIDE. Cover photograph: a 72-year-old Sikh man, a retired marathon runner, lean and wiry, a long white beard tied neatly, a saffron turban, a sweat-darkened navy running vest, laughing mid-stride in the early morning on the misty Sukhna Lake promenade in Chandigarh, soft cool light, shallow focus. Layout: the masthead STRIDE in a huge heavy serif across the top, partly behind his turban; cover lines down the left side in a clean sans serif: "Never Too Late: Running at 72", "The Monsoon Training Plan", "14 Shoes, Tested"; a small barcode in the bottom corner. Palette: saffron, navy, misty teal. Real magazine print layout, real skin and beard texture.

Northbound key art

Theatrical key-art poster for an invented film titled NORTHBOUND. The girl and the old man from the reference images ride a red motorbike, tiny, across a vast frozen white steppe at dusk, a thin electric violet streak crossing the huge sky above them. Typography: NORTHBOUND large in a wide, spaced, extended sans serif in white near the top; below it, small: "Something fell. They went to find it."; at the bottom: "IN CINEMAS JANUARY 2027". Film grain, generous negative space. No other text.